Mars
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Background
Mars emerged from the work of Chuck Renslow and Dom Orejudos and their photography business, Kris Studio. Renslow and Orejudos also published a Kris Studio catalogue, featuring photographs of bodybuilders available for purchase.
In the early 1960s, they were approached by H. Lynn Womack, who wished to publish a physique magazine that more directly targeted the leather and the S&M community. Renslow and Orejudos (who created illustrations under the name Etienne) edited and designed every issue of Mars, with completely editorial control.
Mars, 13 (May 1965), was featured in Pink Mince #12 — The Stroke.
Typography
Cover typefaces
Interior typefaces
Collected issues
- Mars, 1 (May 1963)
- Mars, 2 (July 1963)
- Mars, 3 (September 1963)
- Mars, 4 (November 1963)
- Mars, 5 (January 1964)
- Mars, 6 (March 1964)
- Mars, 7 (May 1964)
- Mars, 8 (July 1964)
- Mars, 9 (September 1964)
- Mars, 10 (November 1964)
- Mars, 11 (January 1965)
- Mars, 12 (March 1965)
- Mars, 13 (May 1965)
- Mars, 14 (July 1965)
- Mars, 15 (September 1965)
- Mars, 16 (November 1965)
- Mars, 17 (January 1966)
- Mars, 18 (March 1966)
- Mars, 19 (May 1966)
- Mars, 20 (July 1966)
- Mars, 21 (September 1966)
- Mars, 22 (November 1966)
- Mars, 23 (Jan 1967)
- Mars, 24 (March 1967)
- Mars, 25 (May 1967)
- Mars, 26 (July 1967)
- Mars, 27 (September 1967)
- Mars, 28 (November 1967)
- Mars, 29 (date unknown)
- Mars, 30 (date unknown)